My work is an exploration and re-presentation of natural organic forms
both mineral and vegetal. I look for patterns and repeated motifs that
run through natural phenomena at different scales, from the microscopic
to the macroscopic, from individual cells to large scale geological
formations.
I am inspired in part by the tradition of scientific
drawing and model making, and particularly the work of artist-scientists
such as Ernst Haeckel. But although my approach involves careful
observation and detailed "scientific" preparatory drawings these are
always superseded by the work of the imagination; everything has to be
refracted through the prism of the imagination, estranged and in some
way transformed.
I want to communicate my fascination with the
immense complexity and intricacy of natural forms and this is why the
process behind my work is so important. Each sculpture is hugely time
consuming and labour-intensive and this work is an essential element not
only in the construction but also in the meaning of each piece. The
finished artefact is really only the ghostly fossilized vestige of this
slow, long process of realisation. I have chosen paper as a medium
because it captures perfectly that mixture of delicacy and durability
that for me characterizes the natural world.
"The tree which
moves some to tears of joy is in the eyes of others only a green thing
that stands in the way. Some see Nature all ridicule and deformity...and
some scarce see Nature at all. But to the eyes of a man of Imagination,
Nature is Imagination itself." William Blake
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