What are my strengths?
Drawing abilities (detailed,meticulous)
Mark making
Research (adapting research into own
knowledge/work)
Problem solving
Patience
Work ethic
What are my weaknesses?
Painting abilities (technical aspects of
painting, representational as example)
Self doubt (lack of confidence at times
in my abilities and work) and letting this stop me from working
Limited abilities with hand tools
(solvable)
Making processes more difficult than it
needs to be (not realising the easiest way to do something)
Do these weaknesses and strengths
balance each other out?
To a degree, for example, self doubt can
affect work ethic, and problem solving
What is the best idea I've ever had?
First year, wooden pallet work - still
go back to this after a year and a half
What made it great in my mind?
A successful piece, risk taking payed
off, confident in creating work, work is 'alive'
What is the dumbest idea?
Unsure, just because an idea didn't
work, doesn't mean it was dumb. All ideas have some potential
Can you connect the dots to what led you
to this idea? (best idea)
Howard Hodgekin painting methods,
abstract
Lucio Fontana, slashing into canvases
Loose expressive painting, holes in the
canvas
Found a wooden pallet outside,
possibility to use it as a found frame
Seem purely as experimental
What is my creative ambition?
To continually develop my skills, grow
confidence in myself and my art, create the best work I can
What are the obstacles to your ambition?
Self doubt, fear stalling and paralysing
me, human nature (laziness, procrastination)
What are the vital steps to achieve this
ambition?
Be confident in myself and abilities, not
let my doubt stop me, force myself to work, take risks = confidence to take
larger risks
Describe your first successful creative
act.
As a small child, life drawing class,
drawing a black Greek style statue from life with good accuracy for age
Describe your second successful creative
act.
Designing a logo for a Police Bogus
calling campaign during a level art at sixth form
Compare them.
Second is a more skilled and advanced
progress from the first act.
Which artists do I admire most?
J. M. W. Turner, Giuseppe Penone, Andy Goldsworthy, Claude Monet,
Why are they your role models?
J. M. W. Turner - Prolific art maker, the sheer amount of work he produced, expressive, romantic, also representational but with energy
Giuseppe Penone - His relationship with nature, the connection between man and nature, particularly the tree. His work can often offer a moment of reflection between ourselves and the natural world, doesn't set out to solve the problems of the environment etc. He reveals the enormous power of the life around us, the magnificence of biology.
Giuseppe Penone - His relationship with nature, the connection between man and nature, particularly the tree. His work can often offer a moment of reflection between ourselves and the natural world, doesn't set out to solve the problems of the environment etc. He reveals the enormous power of the life around us, the magnificence of biology.
Andy Goldsworthy - His use of natural materials in the area he's in to create work that doesn't generally impact the landscape negatively. Failure doesn't phase his work, he continues despite multiple failures until success.
Claude Monet - His obsession with understanding how light, colour works in nature. Understanding the blessing and curse of never being able to 'switch off' creatively.
What do you and these artists have in common?
The ideas of nature that I feel and hold are shared in one way or another with all of these artists. Learning about them has made me realise and make sense of my own connection with nature, and partly what I want to say about nature.
Who/what is your muse?
Nature
Define muse.
Something that continues to inspire me
throughout the years of creating.
When faced with impending success, or
the threat of failure, how do you respond?
Success - continue to work, harder on
realisation of success
Failure - doubt self/worry, then consider
what has gone wrong and why, go back to previous work or research to try and
solve problems occurring
When confronted with superior
intelligence or talent, how do you respond?
The possibility that I could reach that
level, learn as much from them as I can, also have some jealousy
At what moments do you feel your reach
exceeds your grasp?
A lot of the time, stems from my lack of
confidence, usually continue despite this feeling
When you work, do you love the process
or the result?
Both. The process of working,
researching, problem solving etc is enjoyable, and it's rewarding when all of
that hard work comes together into a successful piece of artwork.
What is your ideal creative activity?
When inspiration and ideas work well
together, or learning a new process or method of working
What is your greatest fear?
Failing, letting myself down, not being
able to solve problems myself, not achieving best I can
What is the likelihood of either of the
two previous answers happening?
There is always the chance of either
happening, but you continue to work in the hopes of the ideal situation
happening.
What is your idea of mastery?
Being able to execute something with a
lot of skill without thought/thinking about it. Subconscious.
What is your greatest dream?
To have a large studio to create the
work I want, access to the materials I need, supporting myself as an artist,
having a community of artists working together to create art
Which of your answers would you most
like to change?
My lack of confidence - having
confidence in myself and my work could make everything a lot easier, more time
on art, less on worrying or doubting ideas
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